| Melancholia Posted: "Melancholia" may be the most accessible Lars Von Trier film I've ever seen. (However, for a director who often goes out of his way to alienate, repulse, and irritate his audience, that is not saying much.) "Melancholia" is beautifully shot and visually lovely to look at; gone is the difficult visual minimalism of films like "Dogville". Also gone is the gory brutality that is often part of Von Trier's films (especially his last film, "Antichrist".) "Melancholia" is a thoughtful, fascinating film told in two distinct, yet overlapping, parts.
The first part, "Justine", is a realistic, sad family drama which tells the story of a young bride who implodes on her wedding day. Just married to a handsome man, promoted by her boss, and treated to a lavish party by her rich brother-in-law, Justine has every reason to be happy. Except she's not. Behind her forced smile, she's hiding a dark depression. By the end of the night Justine's depression, along with the selfishness and dysfunction of those around her, cause her to destroy both her brand new marriage and her career, and spiral into a dramatic depressive breakdown. Von Trier seems to have a deep interest in female protagonists who are being crushed by the expectations of those around them. In films like "Breaking the Waves" and "Dancer in the Dark", the characters were treated to sordid and gruesome abuse, but in the first half of "Melancholia", Justine is a more or less ordinary person suffering in a more conventional and relatable way.
The second part of the film, "Claire", puts the focus on Justine's older sister. Claire is concerned about the reports in the news that a previously unknown planet, named Melancholia, will be passing close to the Earth's orbit.... While most scientists believe that the planet will pass at a safe distance, there are those who also believe that an imminent collision will mean the end of the world. Claire's anxiety about the situation builds as the planet comes closer. Claire is also dealing with her sister's (Justine) post-wedding nervous breakdown. As the planet grows ever closer to Earth, the tension builds, until the characters are left to deal with the very real possibility that the world is going to end.
By splitting the film up into two parts in this way, "Melancholia" explores the themes of loss, destruction, impermanence, and loneliness, first on an intimate scale ("Justine") and then on a global scale ("Claire"). Although the film is provocative and often painful, it's more subtle and nuanced than any of Von Trier's other films I've seen, and perhaps more affective. |
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