ALL I WANNA DO (which is also known as THE HAIRY BIRD) is a loving and hilarious look at the swinging 60's, featuring an impressive script and direction by Sarah Kernochan and a capable, strong cast.

Odette (Gaby Hoffmann) has just been shipped to Conneticut and Miss Godard's School for Girls. Run by the kindly Miss McVane (Lynn Redgrave - GODS AND MONSTERS) the school is a sanctuary for the girls who will have to take a second place to men when they eventually have to leave and go into the real world.

Odette falls into the outsiders group known as the Daughters of the American Ravioli - trouble-making Verena (Kirsten Dunst), brainy Momo (Merritt Wever), sex-hungry Tinka (Monica Keena) and the almost-pathelogical Tweety (Heather Matarazzo).

When Tweety accidentally discovers the plan to merge Miss Godard's with a neighboring boy's college, they put a huge and potentially dangerous plan into action to get rid of the "hairy bird"...

A clever and canny comedy filled with superb performances. Standouts in the cast include the wonderful Heather Matarazzo and the fantastic Monica Keena. The film also features Rachael Leigh Cook and Rosemary Dunsmore (ANNE OF AVONLEA).

Steve Guttenberg is Buzzy Crocker, a Hollywood reporter whose latest stories tend to grace the covers of supermarket tabloids. Buzzy's been blacklisted from the "real" papers ever since one of his news-breaking stories proved to be false. Now Buzzy concocts most of his stories himself by dressing his lovely niece Anna (Kirsten Dunst) in ghost and Alien costumes, taking photos, and writing tales of shock and horror to go with them. But when an old spinster woman named Abigail Gregory from the local nut-house pays Buzzy a visit, he's off on the story of a lifetime, to solve the mystery of the Hollywood Tower Hotel, a story that's sure to get him back into the real newspaper business.
It seems that back in Hollywood's heyday, Shirley Temple-like child star Sally Shine, her nanny Emeline Partridge, the hotel owner's bumbling bellhop son Dewey, aspiring singer Claire Poulet, and Claire's boyfriend Gilbert, all disappeared one Halloween night in the Hotel elevator on their way to a party on the top floor. Ever since that fateful night, the Hollywood Tower Hotel has been shut down, and whatever happened to those five unfortunate souls has been a mystery. But Abigail claims to know the secret. She was there that night, and she believes that Sally Shine's nanny was a witch! Insanely jealous of the child, Emeline Partridge cast a horrible spell over the girl, but the spell backfired and left the inhabitants of the elevator trapped in limbo, left to haunt the Hollywood Tower Hotel until the spell is finished, or broken. Only then will they meet their doom, or else be able to rejoin the party they had originally been on their way to, a ghostly party that still goes on every Halloween night in the hopes that the missing guests will finally arrive.
Now Buzzy is on a mission, and finds himself picking up partners at every turn. First he enlists the help of his beautiful and spunky niece Anna, then recruits an odd "dude" named "Q" to help, since he IS the great grandson of the original owner AND the grandson of the missing bellhop. Before he knows it, former boss Jill Perry comes along for the ride, and the ghosts are eager to have the puzzle solved too.
Disney's Tower of Terror is a great thrill ride of a TV movie, just like the actual ride it's based on, The Twilight Zone Tower of Terror at the Disney-MGM Studios Theme Park in Florida. The movie is great family entertainment, full of humor, some tame scares, superb music, and a great cast. Steve Guttenberg is likeable as always, and Kirsten Dunst is as dreamy as ever, even if they did make her dress-down and tighten back her beautiful hair for most of the film. Tower of Terror is a must own video for any fan of the cast, the Disney theme parks, or fun, family films in general. Now lets hope Disney gives us a DVD someday.

If you're old enough to remember the TV landscape from about a dozen years ago, you'll remember that the airwaves were littered every week with crime stories "inspired by" or "based on" true events. This entertaining, yet exploitative, sub-genre straddling the line between thriller and docu-drama has since been shifted to cable TV for the most part and, generally, the quality of this type of film has been marred by an unnecessary camp factor. I mention this in preface to talking about the fascinating feature "All Good Things," a film by award winning documentarian Andrew Jarecki, not as a negative association--but as an incredibly positive note. "All Good Things" employs everything that has been overdone about this genre, and despite the familiarity in story telling, stands as a richly intriguing and superbly acted drama. In truth, I loved "All Good Things!"

Based on a real New York missing person's case involving a wealthy and powerful real estate family, "All Good Things" introduces us to the Marks clan. Ryan Gosling plays David Marks who has little interest or patience with the family business. Meeting a young woman, Kirsten Dunst, completely removed from the society set he's been raised in--he sees her as a possible escape. But happiness is fleeting for the couple as Gosling is eventually brought back to deal with the seedier elements in his father's empire. The couple's relationship becomes increasingly strained until Dunst disappears. Investigated, yet unsolved, what happens remains a mystery until an ambitious District Attorney 18 years later decides to pursue matters further. That's when things start to get really strange!

Of course, when you've got master actors at the top of their game--that certainly brings a welcome gravitas to the proceedings. I have, for many years, declared Ryan Gosling perhaps the best actor of his generation. Ever since he burst onto the film scene in the controversial "The Believer," Gosling has eschewed being a mainstream "star." Heck, after "The Notebook," another actor might have taken a very different career path. But Gosling, despite a couple of disappointing forays into big budget Hollywood, has remained true to his indie roots. In "All Good Things," Gosling is riveting--a socially awkward powder keg, he is strangely likable AND dangerously unhinged. It's a great, fully rounded performance. Kirsten Dunst, as his wife, hasn't been this good in years. An intriguing blend of strength and vulnerability, she becomes the heart and soul of "All Good Things." And the terrific Frank Langella is mesmerizing, and filled with oily menace, as Gosling's father.

The film is also great-looking, with its use of shadow and darkness. The score is fantastic as well--so haunting. The first two-thirds of "All Good Things" are absolutely flawless. The pairing of Dunst and Gosling and their story together is as polished and entertaining as anything you're likely to see this year. However, when the film fast forward--it does suffer by comparison. This is where the story becomes utterly bizarre. I still loved it and it is undeniably fascinating, but it lacks the dramatic tension that had so distinguished the earlier sections. All in all, though, this is sophisticated adult entertainment and highly recommended. About 4 1/2 stars. KGHarris, 11/10.

I really loved this movie alot and couldn't wait to get the soundtrack! I am obsessed with Vitamin C who is in the movie and does a few numbers including the opening dance sequence "Love Will Keep Us Together" - which by the way is her lip syncing to Captain & Tennille, not her own voice - and a super sweet duet with Sisqo called September where she does use her own voice. I was extremely dissapointed to find out when I bought the cd that September is not on it. I hope it will be on Sisqo's new cd, because it ain't on Vitamin C's..... anyway, after that let down I listened to the cd a couple times and looooooved it!!! I like every song on there. My favorites are: "Get With Me" by Shorty 101, "Sho' Nuff" by Fatboy Slim, "Perfect World" by Mikaila, "Alison" by Elvis Costello and The Attractions, "The Shining" by Badly Drawn Boy <------thats my favorite song, "Love Will Keep Us Together" by Captain & Tennille and "Dream Of Me" by the gifted actress Kirsten Dunst. All of the other songs on the cd are pretty awesome and up beat too - just like the movie. Trust me, after seeing this film, the first thing you're gonna wanna do is pick up this soundtrack; just don't expect to hear from Vitamin C or Sisqo. And not hearing them is the only reason this got 4 stars instead of 5. This is a wonderful cd to own though. And don't fret over September not being on the soundtrack, you'll GET OVER IT......

This movie is a "must see" for all superhero fans, action movie fans, and especially Spider-Man fans. There were many negative reviews floating around about this movie, but also many reviews claiming it was excellent as well. The range of different opinions was really surprising.

Modern special effects really do Spider-Man justice, and it is clear that a lot of thought went into this movie, as well as a lot of hard work with the computer animation effects. They are very high quality and truly seem real. There was so much going on, really a lot to sink your teeth into. It's complicated but still manages to be understandable throughout. It's around 2 1/2 hours long, but time flies because you are having fun. Some complained that there was not enough time with Venom, which is a valid point, but I'm sure that the movie in it's entirety will make up for that. All I can say is if you fit into one of the said categories, give this movie a chance. You will not regret it.

If you're old enough to remember the TV landscape from about a dozen years ago, you'll remember that the airwaves were littered every week with crime stories "inspired by" or "based on" true events. This entertaining, yet exploitative, sub-genre straddling the line between thriller and docu-drama has since been shifted to cable TV for the most part and, generally, the quality of this type of film has been marred by an unnecessary camp factor. I mention this in preface to talking about the fascinating feature "All Good Things," a film by award winning documentarian Andrew Jarecki, not as a negative association--but as an incredibly positive note. "All Good Things" employs everything that has been overdone about this genre, and despite the familiarity in story telling, stands as a richly intriguing and superbly acted drama. In truth, I loved "All Good Things!"

Based on a real New York missing person's case involving a wealthy and powerful real estate family, "All Good Things" introduces us to the Marks clan. Ryan Gosling plays David Marks who has little interest or patience with the family business. Meeting a young woman, Kirsten Dunst, completely removed from the society set he's been raised in--he sees her as a possible escape. But happiness is fleeting for the couple as Gosling is eventually brought back to deal with the seedier elements in his father's empire. The couple's relationship becomes increasingly strained until Dunst disappears. Investigated, yet unsolved, what happens remains a mystery until an ambitious District Attorney 18 years later decides to pursue matters further. That's when things start to get really strange!

Of course, when you've got master actors at the top of their game--that certainly brings a welcome gravitas to the proceedings. I have, for many years, declared Ryan Gosling perhaps the best actor of his generation. Ever since he burst onto the film scene in the controversial "The Believer," Gosling has eschewed being a mainstream "star." Heck, after "The Notebook," another actor might have taken a very different career path. But Gosling, despite a couple of disappointing forays into big budget Hollywood, has remained true to his indie roots. In "All Good Things," Gosling is riveting--a socially awkward powder keg, he is strangely likable AND dangerously unhinged. It's a great, fully rounded performance. Kirsten Dunst, as his wife, hasn't been this good in years. An intriguing blend of strength and vulnerability, she becomes the heart and soul of "All Good Things." And the terrific Frank Langella is mesmerizing, and filled with oily menace, as Gosling's father.

The film is also great-looking, with its use of shadow and darkness. The score is fantastic as well--so haunting. The first two-thirds of "All Good Things" are absolutely flawless. The pairing of Dunst and Gosling and their story together is as polished and entertaining as anything you're likely to see this year. However, when the film fast forward--it does suffer by comparison. This is where the story becomes utterly bizarre. I still loved it and it is undeniably fascinating, but it lacks the dramatic tension that had so distinguished the earlier sections. All in all, though, this is sophisticated adult entertainment and highly recommended. About 4 1/2 stars. KGHarris, 11/10.

I've read some of the reviews here and I think a lot of people are looking at this film in a wrong perspective. The idea for the film originated during a therapy session Lars von Trier attended during treatments for his depression. The therapist told him that depressive people tend to act more calmly than others under heavy pressure, because they already expect bad things to happen. It's not about science fiction and it's not a disaster movie. It's a film that examines the human psyche during a disaster. The film is very subtle and yes slow at times but as someone whos struggled with severe depression I related to and understood Kirsten Dunst's character so much. We're dealing with such flawed and sad characters so the slow pace made sense. I would say this is more of a psychological drama than anything else. This film is so beautiful and the acting is superb.